Memoria House
”It's
raining hammers, it's raining nails, it's
true there's nothing left
for you down
here.” You add yours to a song about time
as you ring the bell of the Memoria House.
Asylum, rather. Refuge or Retreat if you buy into the lingo of the
their journal. It's a place for people buried in their past,
reluctant to deal with the present. It's an anonymous structure. A
little fog and you would have missed it all together. For a long time
nothing happens but then you hear soft steps approaching. A narrow
slot in the door opens and you're handed the proofing print for the
next issue of the journal. People in this house only writes down what
they remember, or what they think they remember, from times long
gone. It's occupational therapy but the
inhabitants don't know that. They're
writing down induced memories, not their own. They
think they're storytellers, historians, novelists and what have you.
But you cannot tell them they're
not and why would you? They're happy that
way and it's none of your business anyway.
below
the new white the old black
Your
job is to take that print to some editor across town. You haven't met
him either but rumour has it that he's almost as far gone as the
inhabitant of Memoria House. Not quite, but
almost. “Bring what you receive at
Memoria House to this address and take the rest of the day off,”
was the message. No more, no less. The rain
keeps up its vigour and you imagine it building a structure reaching
above the smog, a structure that would support a brand new city shiny
and flawless … but Buster Keaton enters the scene and nothing gets
completed.
at
the end of the string the idea of a kite
Huset Memoria
”It's
raining hammers, it's raining nails, it's
true there's nothing left
for you down
here.” Du lægger lidt af dit eget til en
sang om tid, mens du ringer på hos Huset Memoria. Asylhjemmet, er
måske mere passende. Refugium eller Retrætehus, hvis du køber
sproget i deres tidsskrift. Det er et sted for mennesker begravede i
deres fortid og modvillige med hensyn til
at forholde sig til nutiden. Det er en anonym bygning. En smule tåge
og du ville være gået forbi den. I lang tid sker der ikke noget,
men så hører du bløde skridt nærme sig. En smal låge i døren
åbnes, og du får rakt korrekturtrykket for det næste nummer af
tidsskriftet. Menneskene i dette hus skriver kun, hvad de kan huske,
eller det de tror, de kan huske fra tider, der for længst er borte.
Det er beskæftigelsesterapi, men det véd beboerne ikke. De
nedfælder plantede erindringer, ikke deres egne. De tror, de er
historiefortællere, romanforfattere, historikere og hvad véd jeg.
Men du kan ikke fortælle dem, at det ikke er sandt, og hvorfor
skulle du? De er glade for det, de gør, og de rager i det hele taget
ikke dig.
under
det nye hvide det gamle sorte
Dit
job er at bringe det dér tryk til en eller anden redaktør i den
anden ende af byen. Ham har du heller ikke mødt, men rygtet siger,
at han er næsten ligeså langt ude, som beboerne i Huset Memoria.
Ikke helt, men næsten. ”Tag imod, hvad du får overrakt ved Huset
Memoria og aflevér det på denne adresse,” var beskeden. Hverken
mere eller mindre. Regnen er i fuld vigør, og du forestiller dig, at
den bygger en konstruktion, der kunne holde til en helt ny by over
smoggen, ren og fejlfri … men Buster Keaton træder ind på scenen
og ingenting bliver fuldført.
for
enden af snoren ideen om en drage
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